Here are a few candid portraits of Machine Head guitarist Phil Demmel from an interview with him backstage at the Plymouth Pavilions stop of the Black Procession European tour. I shot a mixture of film and digital during the interview with Rocklouder but these are all film scans; the digital images look great but the square format and grainy black and white film stock (Ilford Delta 3200) suits the candid documentary style perfectly I think, and I’ve found myself choosing this super-high ISO film stock and going with the available ambient light a lot more recently.

I’ve been meaning to experiment a little more with the Holga 120N since I picked one up nearly a year ago; if you’re unfamiliar with Holga they’re a Chinese company that produce 120 film format ‘toy’ cameras that feature not only a plastic body but also a plastic lens; the cheap construction produces photographs that have a distinctive quality (or lack of it), plus you never know what you’re going to get back from the lab. I specifically ordered the Holga 120N as it features a hotshoe for mounting a flash, with the intention of hooking it up to some lights; there’s something pretty hilarious about plugging a Pocket Wizard radio transceiver into the hotshoe of a camera that costs less than £20 including shipping from China, and then syncing it with a 750 watt flash head and power pack… The frame on the left is (obviously…) from the Holga, shot on Kodak Tri-X 400 and straight out of the film scanner (no additional post production), while the right hand frame is from the Nikon D3. The subject is Devon based artist Clem So who’s a huge talent and was a great pleasure to work with; we got a lot of great images from the shoot so I’ll blog some more about my sitting with him in due course.

Update: finally got a decent scan of the Holga/Tri-X negative (the above was a lo-res scan straight from the lab); what a difference… You can really see the Holga weirdness on this; looks like something from a drunken dream.